Download e-book for iPad: Aesthetics of Negativity: Blanchot, Adorno, and Autonomy by William Allen

By William Allen

ISBN-10: 0823269280

ISBN-13: 9780823269280

Maurice Blanchot and Theodor W. Adorno are one of the such a lot tough but additionally the main profound thinkers in twentieth-century aesthetics. whereas their tools and views vary broadly, they percentage a priority with the negativity of the art conceived by way of both its adventure and danger or its severe expression. Such negativity is neither nihilistic nor pessimistic yet matters the prestige of the paintings and its autonomy relating to its context or its event. For either Blanchot and Adorno negativity is the most important to realizing the prestige of the art in post-Kantian aesthetics and, even though it exhibits how paintings expresses serious probabilities, albeit negatively, it additionally exhibits that paintings bears an irreducible ambiguity such that its which means can constantly negate itself. This ambiguity takes on an additional fabric importance whilst thought of in terms of language because the negativity of the paintings turns into aesthetic within the extra feel of being either brilliant and experimental, and in doing so the language of the literary paintings turns into a sort of considering that permits materiality to be proposal in its ambiguity.

In a chain of wealthy and compelling readings, William S. Allen indicates how an unique and rigorous mode of considering arises inside Blanchot’s early writings and the way Adorno’s aesthetics is dependent upon a relation among language and materiality that has been largely missed. moreover, by means of reconsidering the matter of the self sustaining murals by way of literature, a important factor in modernist aesthetics is given a better severe and fabric relevance as a method of considering that's summary and urban, rigorous and ambiguous. whereas examples of this sort of writing are available within the works of Blanchot and Beckett, the calls for that such texts position on readers purely be sure the demanding situations and the probabilities that literary autonomy poses to thought.

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Aesthetics of Negativity: Blanchot, Adorno, and Autonomy (Perspectives in Continental Philosophy) by William Allen


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