By William Allen
In a chain of wealthy and compelling readings, William S. Allen indicates how an unique and rigorous mode of considering arises inside Blanchot’s early writings and the way Adorno’s aesthetics is dependent upon a relation among language and materiality that has been largely missed. moreover, by means of reconsidering the matter of the self sustaining murals by way of literature, a important factor in modernist aesthetics is given a better severe and fabric relevance as a method of considering that's summary and urban, rigorous and ambiguous. whereas examples of this sort of writing are available within the works of Blanchot and Beckett, the calls for that such texts position on readers purely be sure the demanding situations and the probabilities that literary autonomy poses to thought.
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Additional info for Aesthetics of Negativity: Blanchot, Adorno, and Autonomy (Perspectives in Continental Philosophy)
Aesthetics of Negativity: Blanchot, Adorno, and Autonomy (Perspectives in Continental Philosophy) by William Allen